Morphology for microcellular injection

Israel López / Fátima Ramírez (Universidad de Guanajuato / NullPixel, Mexico)

http://www.nullpixel.portfoliobox.io/

israelalg@gmail.com 
fedithrd@gmail.com 

ABSTRACT:

In dealing with the art / science / technology relationship and analyzing the thin line of the technoscientific spectrum with the artistic qualification, we observe that the representation and processing methods lead to an analysis of the circumstances and models established in the dynamics of technology and the segmentation of information in the Digital image, where through algorithms it is possible to segment reality to condition an abstraction of the world, to virtualize  it  and  expose  it  to  the  analysis  where  its  technical  possibilities  as  a  procedural  object  are  valued,  and therefore to allude to the fragmented image, shaping the subjective vision of the Body and the perceived space resulting in a symbolic artistic image, it is in this way that through the microcellular morphology and the sound interconnection we appeal to abstract discursive forms alluding to rhizomatic landscapes.

DESCRIPTION:

In dealing with the art / science / technology relationship and analyzing the thin line of the technoscientific spectrum with the artistic qualification, we observe that the representation and processing methods lead to an analysis of the circumstances and models established in the dynamics of technology and the segmentation of information in the Digital image, where through algorithms it is possible to segment reality to condition an abstraction of the world, to virtualize  it  and  expose  it  to  the  analysis  where  its  technical  possibilities  as  a  procedural  object  are  valued,  and therefore to allude to the fragmented image, shaping the subjective vision of the Body and the perceived space resulting in a symbolic artistic image, it is in this way that through the microcellular morphology and the sound interconnection we appeal to abstract discursive forms alluding to rhizomatic landscapes.

It transports us from the general to the singular, from the images of the universe to the cellular behavior. The microorganisms refer us to the biological processes that frame the organic condition of the human being, establishing the elements that are conceived through the experience with our surroundings Generating symbolic cartographies that are abstractions of the universe itself.

When generating this reflection with the visual elements we access a sound contrast, rising to chaotic moments generated from the analysis of data, the discursive load is detonated in layers that are interlaced and modified in a dynamic of omnidirectional readings.

AUTHOR BIOGRAPHIE(S):

Israel López    

Master  Candidate  for  Arts,  BA  in  Digital  Arts  from  the  University  of  Guanajuato,  its  work  is  based  on  the manipulation of digital media and its relationship with the human body, creating interfaces for interaction with the digital world using technology as a fundamental part of the creative process, in 2010 was the recipient of Stimuli program Creation and artistic development of the state of Guanajuato in the area of audiovisual media, since 2010 collaborates  with  the  music  program  and  new  technologies  state  Institute  of  culture  of  Guanajuato  where  he developed interfaces for the stage production, currently doing research on the implementation of new media in art and Videomapping.

Fátima Ramírez

BA  in  Digital  Arts  by  the  Division  of  Engineering  of  the  University  of  Guanajuato,  his  work  is  constituted  by  the ontological  reflection  and  capabilities  of  the  human  body  within  the  technological  paradigms  of  the  XXI  century exploring new means of artistic production and experimentation video art, animation, projection mapping. He has been involved in multimedia production of various shows at the International Cervantino Festival consecutively since 2009, is currently developing interactive systems applied to art focusing its production on the multiprojection and design  immersive  spaces  for  the  performing  arts  by  building  interactive  scenography  and  virtual  reality  systems, computer vision and Videomapping.