Jono Gilmurray (University of the Arts London, UK)

jonathangilmurray@yahoo.co.uk

Abstract

The years since the turn of the millennium have seen an increasing number of sound artists engaging with contemporary environmental issues such as biodiversity loss, sustainability, and climate change through their work, forming a growing movement of environmentally-concerned sound art; however, their work has yet to achieve the recognition enjoyed by comparable environmentalist practices in almost every other art form. This paper argues that this increasingly significant area of sound arts practice should be recognised as a distinct field in its own right, and proposes that it be termed ‘ecological sound art’, reflecting its equivalent in the visual arts. After establishing its current absence from both ecocritical and sound arts scholarship, it proceeds to outline some of the core approaches which characterise works of ecological sound art, as the first step toward its establishment as a coherent field of practice. The final section draws from key works of contemporary ecological theory, examining the fundamental accord that exists between the new modes of thought they propose and the ways in which we experience and relate to sound art, demonstrating that ecological sound art represents not only a significant new field of sound arts practice, but a uniquely powerful ecological art form.

Keywords

Ecological sound art; ecology; environmentalism; acoustic ecology; ecomusicology; ecocriticism; eco-art